Bossa Nova is a Brazilian style of music that mixes the Brazilian samba rhythms with the North American jazz music.

In the late 1950s, the Bossa Nova movement was led by guitarist/vocalist João Gilberto and composer Antônio Carlos Jobim. Borrowed from samba music, they brought their unique sense, style and innovations to ballad forms. Bossa Nova did not replace the traditional samba, neither it intended to but offered an alternative to it.

Bossa Nova altered several stylistic parameters, seeking dynamic integration of melody, harmony and rhythm while de-emphasizing the vocalist as the center of attention. Instead of the traditional binary samba beat, diversified rhythm was used, and standard drum set became the norm. Rhythmic foundations set by drums and bass were complemented by rhythmic plucking of acoustic guitar chords.

Bossa Nova introduced new patterns of harmony in chord progressions, frequently using the rhythmic chords associated with jazz. Melodic lines were often sparse and understated vocal delivery became a major characteristic. This approach contrasted sharply with the emphatic style of the samba-canção.

Many of these new traits resembled those of the “cool jazz” of the West Coast of the United States, which many young Brazilian musicians admired at that time. Bossa Nova became a unique genre and a permanent part of the jazz repertory.

Bossa Nova Artists To Hear

To understand the Bossa Nova style in more depth, we suggest you listen to composers and artists like:

Antônio Carlos Jobim, Astrud Gilberto, João Gilberto and Luiz Bonfa

João Gilberto was obsessed with finding new ways of playing the guitar. He took rhythms from the Brazilian samba and applied it to his guitar style to influence the unique sound of Bossa Nova. This style is most commonly played with a nylon string guitar and finger pluck. It´s the combination of the bass string with samba rhythms in various patterns.

Click here to learn guitar chords on your mobile.

Bossa Nova Exercise for Beginners

We will be playing a very simple and basic Bossa Nova chord progression:

ll Cmaj7 l Am7 l Dm7 l G7 ll

 

Hear the audio sample of the beginner exercise:

Please note: Below in the Cmaj7 chord, the rhythm remains constant through out the progression with the bass on the 5th string.

In Bossa Nova, the rhythms are always interacting with each other.

For this exercise, while you play the bass with your thumb, the chords are played with your index, middle and ring finger on the 3rd, 2nd and the 1st strings.

I suggest, before you try putting these rhythms together, practice the bass notes and chords separately . You can also split the bar in two sections and practice the 1st half bar to start with and when you have mastered that you can practice the 2nd half.

Here below are the detailed rhythms to Am7, Dm7 and G7 chords:

Please note: While the bass is on different strings, the chords are played on the same strings by the right hand through out the progression. Play the bars twice.

Bossa Nova Chord Progression Lesson

In the video lesson, I will show a common Bossa Nova pattern.

Here is the chord progression:

ll Cmaj9 l Am11 l Dm9 l G13 ll

The chords are coloured with 9th, 11th and 13th tones which is common in Bossa Nova style.

Play the rhythm pattern to the Cmaj9 chord

While you play the bass with your thumb switching between 5th and 6th string, the chord tones are played with your index, middle and ring finger on the 4th, 3rd and the 2nd string. On the 4th beat it´s a hit on the strings to get a rhythmic effect.

If you are having difficulties playing the rhythm together, I suggest, you practice the bass and the chords separately before putting them together. Split the bar in two pieces and practice the 1st half bar and when you master that you can practice the 2nd half before you putting them together.

Here are the detailed rhythm pattern to the Am11, Dm9 and the G13 chords:

Please note: The bass notes differs with these chords otherwise it´s the same fingering and strings in the right hand as to the Cmaj9 chord. Play the bars twice.

 

Thomas Berglund is a musician that has played in many different styles through the years. He also works as a guitar teacher and has a YouTube channel where he regularly shares guitar lessons, music releases and concert videos.

Bossa is an amazing style of guitar playing and we hope this has encouraged you to look further into it. If you’d like to see more articles here on Uberchord, we encourage you to look at friday im in love chords, guitar exercises for beginners, and the play store uberchord. If this isn’t what you’re looking for, just browse around and I’m sure you’ll find lots of interesting tips to start using! 

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The 7th chord tones in the 3rd position are:

These 7th chords are built using 7th chord tones. Imagine chord tones as being the skeleton of the scale. Identify where the root, third, fifth and the seventh tones are, and then begin to practice them in all positions.

Soloing scales:

For the tune Tell Mama, we suggest soloing around the G minor scale (aeolian) and the G harmonic minor. In the 3rd position, they look as following:

G minor aeolian                            G harmonic minor

G minor aeolian works well over the Gm and Cm chords, as does G harmonic minor over the D7 chord. When playing G harmonic minor over a D7 chord, try to picture it as an altered D7 scale. Watch my Dominant chord lesson” to learn more about 7th chords and altered tones.

Being a blues tune, you can of course fall back on the trusty blues scale through the entire progression.

G minor blues scale

Here´s the backing track:

…and the video lesson:

I hope you’ll find this lesson useful!

Good luck!

Thomas

Thomas Berglund is a musician who plays across many different styles, although his heart lies in improvisation. He also works as a guitar teacher and has a YouTube channel featuring guitar lessons, releases and concert videos.

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Learning how to improvise can take your guitar playing to a whole new level. In this lesson I’ll show you how to play two tunes which provide the perfect starting point for improvising within the style of jazz.

Most jazz tunes involve modulation between keys, which can be quite daunting for the uninitiated. The songs below are all in one key and I’ll being showing you chords and the scales that are a great way to master improvisation. I’ll also give you tips to develop your phrasing.

IMPROVISATION EXERCISE 1: Jazzt Play

The first tune is called Jazzt Play in the key of C.

The chords are:

In this tune you’ll be playing a 4/4 beat comp. This means you´re playing on every beat in the bar, emphasising the 2nd and 4th beat – which generates the ‘swing’ feel.

The scale to improvise with here is the C major scale (Ionian) which looks like this in the 5th position.

Ultimately, one should aim to learn the scales in every positions all over the neck. To start with however, in this lesson we’ll concentrate on the C major scale in the 5th position:

When using a scale during a solo, try to concentrate on phrasing as if you were playing a melody. Staying in one key means we can focus on the scale tones at hand and try to form them into melodies.

The tabs and notes:

 IMPROVISATION EXERCISE 2: PEANUTS

The 2nd tune is called Peanuts, in the key of G.

The chords are as follows:

Here we take comping a step further and start to improvise with the rhythm.

In improvised music it´s common that the comping instruments try to build rhythm parts to accompany the soloist. They listen to each other and take inspiration from the music.

The scale to improvise with for the song Peanuts is the G major scale (Ionian). In the 3rd position it looks as follows:

Concentrate on the phrasing. Play phrases of similar length to start with and be aware of the space between tones, feeling them as much as you feel the notes. Start to play in eighth notes and go further with triplet eighth notes. If you have the technique, try playing sixteenth notes.

After practising this for a while, experiment with the length of phrases and mix up the phrase rhythms. Play as if you were talking.

Here are the tabs and notes:

Video lesson:

I hope you found this improvisation lesson useful. Good luck!

– Thomas

Thomas Berglund is a musician that has played in many different styles through the years and he has his heart in music with improvisation. He also work as a guitar teacher and have a YouTube channel with guitar lessons, releases and concert videos. To find out more you can visit his Website, YouTube Channel or Soundcloud page.

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